
By Jaideep Sen
Salim Saab was once asked in an interview what he considered to be his biggest strength in writing and he instantly said, “characterisation”.
Characterisation is at the heart of the story which is evident in every film that Salim and Javed Saab have written. In Zanjeer, a child who has witnessed - and is subsequently haunted by - the killing of his parents grows up to be in Salim Saab’s own words a “high strung” character who’s extremely combustible. Having been a victim of injustice, he cannot tolerate it, especially when it happens to others. The outrage of Inspector Vijay Khanna in the hospital when Mala, the knife sharpener, refuses to identify the truck driver is testimony to the hero’s characterisation.
In their latter work, Vijay became a representation of the no-nonsense crusader of justice, whether against the system in Zanjeer, or against society for the ill-treatment of his parents in Deewaar or even against his biological father for abandoning his mother in Trishul.

Another master stroke that the Masters of the Pen, Salim Saab & Javed Saab created was the flip side of the coin in the form of a lighter character epitomised and immortalised by the legendary actor Shashi Kapoor whose take away of the situation was a little more forgiving which is why he did not see life through the same intense binoculars that Vijay did. This provides the buoyancy and humour that a film also needs to engage with the audience.

Jaideep Sen is a filmmaker and a connoisseur of the art of storytelling.
Read his previous posts in this Series here:

I think the most revolutionary and hard-hitting dialogue in Trishul was when Vijay, in response to RK Gupta's question, "Tum Shanti ko kaise jaante ho?" replies, "Main us Shanti ko bahut achhi tarah se jaanta hoon Mr R.K.Gupta (emphasis on each syllable) - kyonki woh badnaseeb Shanti meri maa thi aur aap (slight pause) mere naajaayaz baap hain." Salim-Javed took the cliched 'naajaayaz aulad' (illegitimate son) trope and turned it on its head when Vijay accused Gupta of being the 'naajaayaz baap' (illegitimate father)! What a brilliant retort. Hats off to Salim-Javed.
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ReplyDeleteYou've hit Bulls-eye,Neelesh👍It's takes being the "Legitimate" Fathers of Writing✍️like Salim Saab-Javed Saab were through their hey days to turn the concept of "Illegitimacy" on it's head the way they did & pointed out with such accuracy by You👌
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