Skip to main content

The 'Guru' of Screenwriting - Salaam Salim Saab Episode #4




Guru Bramha, Guru Vishnu, Guru Devo Maheshwara,
Guru Sakshat Parabramha, Tasmai Shri Guruve Namaha

On the auspicious occasion of Guru Purnima (27 July, 2018)  it’s extremely apt that as students of cinema we doff our hats to the “Guru” of Screenplay Writing, Mr. Salim Khan.

How worthy Salim Saab is of this respect is endorsed by his erstwhile writing partner, Javed Saab who at an event in Bhopal a few years back on stage very graciously mentioned that the one man he’s learnt the Art of Screenplay Writing from is Salim Saab and few people have an understanding of the craft that Salim Saab does. 

It is ironical that even though writing is the most important cog in the wheel of a film’s success, few people in the film industry have an understanding of screenplay writing. 

The Jai-Radha Storyline in Sholay
Well the answer lies in the word itself – how a story is put into play with sequences, occurrences and happenings for an average duration of approximately two and a half hours on Screen. This forms the backbone of a film that keeps the audience engaged. It is the bridge between the story that you want to tell and the dialogues that are spoken by the performers.  The strength of a screenplay is such that it can offset even an ordinary performance and make it look extraordinary. The power of the screenplay is such that without the support of dialogue it can create timeless and memorable content. The Radha-Jai love story of Sholay is perhaps the most blazing example (pun intended).  

Very recently I saw the original Don for the umpteenth time and felt the same glee of an excited child when Don tells Sonia that they know the revolver is empty but not the cops, thus engineering his getaway. When I asked Salim Saab how they had come up with the gag, he credited it to his love for reading, and the vast reservoir of information he has gained from his habit.

Salim Saab is a voracious reader who says that if he happens to be carrying something wrapped in a newspaper, he would first read it thoroughly before relegating it to the waste paper basket. For, he firmly believes that reading enriches him not just as a writer but also as a human being. 

It is this dedication and discipline for his art that enables Salim Saab to create a scene from a vacuum, says acclaimed filmmaker Mahesh Bhatt. A vacuum of his invisible magic box of memories and experiences gathered from his interactions with life and books. And in the process, the “Guru” of Screenplay Writing has spread so much magic in our lives with his magical creations.

Jaideep Sen is a filmmaker and a connoisseur of the art of storytelling.




Comments

Popular posts from this blog

Facing my fear - one Pitch at a time

Pitching makes me freeze up. In fact, the very thought of it makes me wanna run away.  For a screenwriter that's simply bad news. Because no matter what, if you want to get your stories out of your computer and hit the big screens, then you need to get comfortable with selling your story to potential producers and studios. And the first step in that journey is pitching.  My fear of pitching has prodded me to find different ways of overcoming the hurdle. So, for a few years I tried to work with agents in the hope that they would read my book and be able to handle the job of pitching. But soon I realized that agents were not into reading. So, I was just another name in their long list of clients. How that helps them grow their business is a different story, and one that I will perhaps share at a later point when I get around to solving that mystery! But the turning point (life does imitate screenplays!) came when I was called to pitch my book to a prominent OTT channel. This was an o

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class".  Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa

'Pure Evil' has been my biggest and most complex project - Author Balaji Vittal

Love them or hate them, you simply can't ignore them. That cliche is perhaps most apt when it comes to the bad men of Bollywood. In fact, some of the most memorable lines of dialogue have been mouthed not by the heroes but by the villains of Hindi cinema. So it is only fitting that these shining stars of the dark world (after all, antagonists are the protagonists of their own stories!) deserve to be spotlighted. Balaji Vittal , the author of Pure Evil: the Bad Men of Bollywood undertakes this onerous task of highlighting the world of these evil characters and how they have come to occupy a special place in the hearts and minds of movie goers.  I spoke to Mr. Balaji Vittal, a National Award winning and MAMI Award winning author of Bollywood books, a columnist for News18, Outlook India, The New Indian Express , a Bollywood commentator and a public speaker, about his journey of venturing into the world of Pure Evil .   Here are some excerpts:   Your book "Pure Evil: the Bad Men