Skip to main content

Facing my fear - one Pitch at a time

Pitching makes me freeze up. In fact, the very thought of it makes me wanna run away. 

For a screenwriter that's simply bad news. Because no matter what, if you want to get your stories out of your computer and hit the big screens, then you need to get comfortable with selling your story to potential producers and studios. And the first step in that journey is pitching. 

My fear of pitching has prodded me to find different ways of overcoming the hurdle. So, for a few years I tried to work with agents in the hope that they would read my book and be able to handle the job of pitching. But soon I realized that agents were not into reading. So, I was just another name in their long list of clients. How that helps them grow their business is a different story, and one that I will perhaps share at a later point when I get around to solving that mystery!

But the turning point (life does imitate screenplays!) came when I was called to pitch my book to a prominent OTT channel. This was an opportunity that I couldn't miss out on. And besides, the production company that had initiated this move assured me that they would handle the pitch and I just needed to be present since I was the author of the book. So, lulled into believing that I was going to only respond to any queries that the OTT executive would have, I went for the meeting. 

I was excited and the thrill of being part of a pitch made me nervous but I wasn't yet run-for-your-life scared. Until...  I was asked to pitch the story. 

Holy Mother of God! I looked around the room and all I got were encouraging smiles from the team that had assured me that they would handle the pitch. 

I had just been pushed off the top of a cliff without a parachute. And so, I did my best. Unprepared as I was. As I soldiered on, trying to narrate my story, I realized I was headed for a crash. Luckily, one of the team persons stepped in and prevented it from becoming a total splat-on-the-face kind of disaster.

The pitch session was over - the channel executive asked for materials to read - and I learnt my biggest lessons. One, fear would kill my career. Two, I needed to practise pitching like my life depended on it. 

Taglab script market

The goal for 2024 is to pitch whenever I have the opportunity and thanks to a pitchfest organized by TAGLAB I attended my very first pitchfest in Mumbai in February where I had two online and two face to face meeting sessions. Facing my fear one pitch at a time is the path that I have decided to go. And it's turning out to be a liberating experience.

For more such writing-related adventures, stay tuned... :) 

And feel free to follow me on Substack -
https://substack.com/@adventuresofawriter

Comments

Post a Comment

Popular posts from this blog

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class".  Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa...

'Pure Evil' has been my biggest and most complex project - Author Balaji Vittal

Love them or hate them, you simply can't ignore them. That cliche is perhaps most apt when it comes to the bad men of Bollywood. In fact, some of the most memorable lines of dialogue have been mouthed not by the heroes but by the villains of Hindi cinema. So it is only fitting that these shining stars of the dark world (after all, antagonists are the protagonists of their own stories!) deserve to be spotlighted. Balaji Vittal , the author of Pure Evil: the Bad Men of Bollywood undertakes this onerous task of highlighting the world of these evil characters and how they have come to occupy a special place in the hearts and minds of movie goers.  I spoke to Mr. Balaji Vittal, a National Award winning and MAMI Award winning author of Bollywood books, a columnist for News18, Outlook India, The New Indian Express , a Bollywood commentator and a public speaker, about his journey of venturing into the world of Pure Evil .   Here are some excerpts:   Your book "Pure Evil: the Bad...