Skip to main content

#BookReview: Gilbert's New York steals the show in 'City of Girls'

 

Elizabeth Gilbert is famously known for Eat, Pray, Love, a book that I frankly did not enjoy and couldn't bring myself to finish. When I picked up City of Girls, I was intrigued more by the fact that it was set in New York, a city that I had visited a couple of years ago. Watching a Broadway show was the major highlight of my trip. Given that City of Girls is also set in the world of 'showgirls', I was hooked.

New York of the 1940s comes alive on the pages as we meet the rich and entitled Vivian Morris who arrives in the City to live with her slightly wild and eccentric aunt Peg. Peg runs a theatre where Vivian befriends an interesting cast of characters including a sexy showgirl, Peg's female secretary and lover and their actress friend. Vivian teams up with her showgirl friend and finds ample ways to exercise her two skills -- "sewing and sex" -- until the inevitable happens.

Scandal ensues and upends Vivian's life. Vivian returns to her hometown -- repentant and shamed. After the rollicking midpoint, this segment matches the beat of Vivian's life which has virtually come to a standstill. This perhaps is the slowest part of the book. Thankfully, the narrative gathers pace and Vivian returns to New York. How she rebuilds her life with some help from Peg and a new set of friends is what the second half of the book is about. Vivian evolves from being a wild child who is out for a good time to a more grounded person who has no illusions about her promiscuous ways.

The last segment of the book deals with Vivian finding her true love. It's poignant but it does feel a bit out of place in the book. It's almost as if  the author feels that Vivian needs to be "rescued" from herself. So, the story of Vivian and Frank unfolds - a love story that is poignant and uplifting and bestows on the unapologetically carnal Vivian a relationship that is sex-less. 

The evocative writing and Vivian's unique voice saves City of Girls from becoming a 1940's version of Sex in the City. Though overall, the book keeps you engaged, the singular focus on Vivian's point of view takes away from the narrative. My favourite character of the book? New York, of course. 

Would love to hear your thoughts, if you have read the book.

 

Comments

Popular posts from this blog

Facing my fear - one Pitch at a time

Pitching makes me freeze up. In fact, the very thought of it makes me wanna run away.  For a screenwriter that's simply bad news. Because no matter what, if you want to get your stories out of your computer and hit the big screens, then you need to get comfortable with selling your story to potential producers and studios. And the first step in that journey is pitching.  My fear of pitching has prodded me to find different ways of overcoming the hurdle. So, for a few years I tried to work with agents in the hope that they would read my book and be able to handle the job of pitching. But soon I realized that agents were not into reading. So, I was just another name in their long list of clients. How that helps them grow their business is a different story, and one that I will perhaps share at a later point when I get around to solving that mystery! But the turning point (life does imitate screenplays!) came when I was called to pitch my book to a prominent OTT channel. This was an o

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class".  Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa

'Pure Evil' has been my biggest and most complex project - Author Balaji Vittal

Love them or hate them, you simply can't ignore them. That cliche is perhaps most apt when it comes to the bad men of Bollywood. In fact, some of the most memorable lines of dialogue have been mouthed not by the heroes but by the villains of Hindi cinema. So it is only fitting that these shining stars of the dark world (after all, antagonists are the protagonists of their own stories!) deserve to be spotlighted. Balaji Vittal , the author of Pure Evil: the Bad Men of Bollywood undertakes this onerous task of highlighting the world of these evil characters and how they have come to occupy a special place in the hearts and minds of movie goers.  I spoke to Mr. Balaji Vittal, a National Award winning and MAMI Award winning author of Bollywood books, a columnist for News18, Outlook India, The New Indian Express , a Bollywood commentator and a public speaker, about his journey of venturing into the world of Pure Evil .   Here are some excerpts:   Your book "Pure Evil: the Bad Men