Skip to main content

Thinking Through Your Story

Top post on IndiBlogger, the biggest community of Indian Bloggers
Welcome to Week T of Authors' Tips A - Z of Writing. 

If this is the first time you are visiting this series, here's a quick recap. 

Authors share their tips on writing fiction and each week we talk about various aspects of writing. This week, I discuss a very vital part of the writing process: The Thinking Through Stage. What comes before you have written a single word of your manuscript. 

Read on... and don't forget to share your thoughts in the comment box. 


How do you get your ideas? What comes first? The characters or the plot or the theme? This question is perhaps on every aspiring writer's mind and is among the most discussed topic on writing discussion forums.Well, the quick answer to that is, there is no structured way of getting ideas. Rarely, does a story idea hit you on the head with a neatly defined beginning, middle and end, a plotline, theme and fully developed characters. No, that doesn't happen! And if someone tells you it has happened to them, well, he/she is pulling a fast one! 😅

The fun -- and also most annoying -- part of writing is the pre-writing process. Fun because you have a clean slate. Annoying because you are only being given glimpses of the story. And that too in a higgledy piggledy fashion. I call this the Thinking Through Your Story Process.

You may have a wonderful idea that excites you and you are eager to get to your computer and start bashing it out. Wait! Don't do that.

Let the Idea Breathe. Every story idea needs some breathing space. That one little germ of an idea could be anything - a piece of a plotline, a scene between two unknown (yet) characters, a specific or broad theme that you feel you could take further (examples: dilemma of an assassin who has lost his killing mojo or how racism takes a toll on people). Yes, do think about how it can be progressed but don't start writing yet.

Plot/Character Progression. If you have the nub of a plotline or a vague idea of how the story will end or begin, you can start jotting down these points in one or two lines, never more than that, so that you don't lose the thought. If your idea has come to you in the form of a character, make notes about  the person/s, again notes in a couple of lines. A few broad strokes is all you need at this stage.

Building the Theme. If  you have a vague idea about the theme of your story, you are on more solid ground. Any story needs a theme that will play out -- provide your story and characters with differing points of view and hence conflict. Even a simple boy meets girl story can work only if there is a theme. If you don't know the theme yet, you can reach out to your still developing characters for help. Why is a character a certain way? What's his/her backstory or family background? How has that shaped the person that he/she is. This mental workout will help you find a theme that resonates with the characters.

Growing your Story. Before long you will find that the germ of an idea has transformed into a living, breathing organism. The Thinking Through Process is already giving you ideas for scenes, snippets of dialogue, turning points, key plot points and more. Keep notes (shorter and more precise, the better) till you have a rough idea about the beginning, middle and end. And now you're ready to work out an outline.

Taking it Slowly. If this feels a little 'too much' or overwhelming, relax. Give it a break. Don't think about your story for a couple of days. Do something totally different before you get back to it. Chances are that you'd have found a few new angles to your story. How do you know that the Thinking Through Process is done? Well, the process continues all through the writing of your story. But once you have a beginning, middle and end (or a rough idea of what these will be), you're  now ready to move on to outlining the scenes or if you prefer straight on to writing your first draft.

Keeping track of your Story. Keeping a document or a beat sheet of scenes (described in as few words as possible) will help you to keep track of your story. Add/delete scenes as your story shifts and changes. This sheet will help you to keep in mind the original development of the story and the theme/plot/characters that you were so fascinated with. If you lose your way in the middle, looking at this sheet will help you find your way back.

But most importantly, enjoy the process! Happy Writing!


Do check out T posts in this series by these authors: 

Devika Fernando writes about Titles

Sudesna Ghosh gives the low down on Time Management

Preethi Venugopala discusses Themes in Fiction Writing





Comments

Post a Comment

Popular posts from this blog

Facing my fear - one Pitch at a time

Pitching makes me freeze up. In fact, the very thought of it makes me wanna run away.  For a screenwriter that's simply bad news. Because no matter what, if you want to get your stories out of your computer and hit the big screens, then you need to get comfortable with selling your story to potential producers and studios. And the first step in that journey is pitching.  My fear of pitching has prodded me to find different ways of overcoming the hurdle. So, for a few years I tried to work with agents in the hope that they would read my book and be able to handle the job of pitching. But soon I realized that agents were not into reading. So, I was just another name in their long list of clients. How that helps them grow their business is a different story, and one that I will perhaps share at a later point when I get around to solving that mystery! But the turning point (life does imitate screenplays!) came when I was called to pitch my book to a prominent OTT channel. This was...

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class".  Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa...

'Pure Evil' has been my biggest and most complex project - Author Balaji Vittal

Love them or hate them, you simply can't ignore them. That cliche is perhaps most apt when it comes to the bad men of Bollywood. In fact, some of the most memorable lines of dialogue have been mouthed not by the heroes but by the villains of Hindi cinema. So it is only fitting that these shining stars of the dark world (after all, antagonists are the protagonists of their own stories!) deserve to be spotlighted. Balaji Vittal , the author of Pure Evil: the Bad Men of Bollywood undertakes this onerous task of highlighting the world of these evil characters and how they have come to occupy a special place in the hearts and minds of movie goers.  I spoke to Mr. Balaji Vittal, a National Award winning and MAMI Award winning author of Bollywood books, a columnist for News18, Outlook India, The New Indian Express , a Bollywood commentator and a public speaker, about his journey of venturing into the world of Pure Evil .   Here are some excerpts:   Your book "Pure Evil: the Bad...