Jaideep Sen |
Jaideep Sen pays tribute to Bollywood's Star Action Director
As I stood in front of
Veeru (Devgan) Ji’s pyre last evening I felt that an era of genuine “greatness”
had come to an end.
When I kissed his
forehead, through numbing pain that crossed my heart, the only thought that
passed my mind was: why can’t our parents be immortal.
It took me back to the
Prayer meeting organized for the late Divya Bharti’s Mother where the priest
conducting the ceremony had in his discourse said “Jo Bhagwan dikhte hain woh Mata Pita hote hain, jo Mata Pita nahin dikhte
woh Bhagwan”
These words have made a
lasting impact on me. I’ve unfortunately lost both my parents and who would
feel the impact of those words more than me.
Veeru Devgan: Hindi Contemporary Cinema's First Star Action Director |
Veeru Ji is the first
Star Action Director in contemporary Hindi cinema, a name that has graced the
credit titles of more than 80 films & my personal favourites among them are
Manoj Kumar Ji’s Kranti, Raj Sippy’s Loha and Rajiv Rai’s Tridev. The sheer
scale of the action of these three Films is breathtaking and considering that
all three were huge multi-starrers, to weave in the strength of the actors into
the designing of the sequences and justifying the presence of each of the actors
in them is the work of a gifted and genius craftsman which Veeru Ji indeed was.
Here I must make a special
mention of Kranti because Veeru Ji considered its monumental filmmaker, Manoj
Kumar Ji his Guru and Manoj Ji had a very special place in Veeru Ji’s life
and heart. I overheard veteran actor Raza Murad Saab mentioning to someone at
Veeru Ji’s last rites that it was Manoj Ji’s Roti Kapda aur Makaan which had a
big climax set at a railway bridge with which the fraternity took notice of
Veeru Ji and he even played a small cameo in Kranti.
Not many people are
aware that Veeru Ji had actually come to Mumbai to be an actor but destiny had
other plans and he became one of the biggest action directors of Indian cinema
from east to west and north to literally south where in collaboration with the
legendary actor, Jeetendra Ji, he has given an avalanche of mega hits in Himmatwala,
Justice Chaudhary, Mawali and many more.
Veeru Ji also choreographed the action for Super Star Rajnikant Sir’s debut Hindi film Andhaa Kanoon and
devised for the first time a concept of multiple kicks where the hero would
jump up in the air and kick the opponent multiple times before landing on the
ground. This gravity defying stunt was lapped up by the audience which went ballistic
with applause. This was something which Veeru Ji had conceived with his acute
sense of editing which gave the Hero a Super Hero status; that is how big a hero
Veeru Ji was behind the camera.
Ajay Devgan in Phool aur Kaante |
Let’s now come to a
glorious success story of Veeru Ji’s life which is the arrival and immediate
super success of his son, Vishal Devgan, who took the nation by storm as Ajay
Devgan when he burst on screen straddling two motorbikes in Phool aur Kaante.
Ace filmmaker Rohit Shetty – for whom too Veeru Ji is like a father – paid a
tribute to this sequence in Golmaal Returns. Rohit himself was an assistant
director on Ajay’s debut film.
Since Ajay’s birth
Veeru Ji had decided that what He couldn’t achieve as an actor, his son would and
that is exactly what Ajay achieved.
I’d like to believe
that Ajay’s success story has been singlehandedly fuelled by Veeru Ji’s passion
and determination who left no stone unturned to make it happen. I doff my hat
to Ajay’s devotion for his father and his dream to give his hundred per
cent to realise and fulfil his father’s
dream.
When Ajay lit his father’s
pyre, am sure Veeru Ji would have had a smile within him as he bid adieu to
this world seeing his son’s super success. Ajay too would have had the
satisfaction of being the successful and dutiful son his father had always
hoped to have. Having interacted with and experienced the greatness of Veeru
Ji, I can say with certainty that they don’t make Men of Steel like Veeru
Devgan anymore.
Jaideep Sen is a filmmaker and a connoisseur of the art of storytelling.
This is film industry's great loss.Words cannot even begin to express our sorrow. May veeruji's soul find peace and comfort.lord bless him.
ReplyDeleteJaideep,
ReplyDeleteThis is such a well written article. Concise and very impactful in describing your emotions and effectively acknowledging the artist and his contributions.
Raja
ReplyDeleteNo amount of words can fathom the loss that I feel it’s like I worked for him for one day for a film called CHANDRAMUKI & that one day changed my whole life
Sirji you will be missed by the entire film industry