Skip to main content

The 'Sangam' of a Genius and His Admirer




 Jaideep Sen highlights a memorable incident between Salim Saab and the iconic filmmaker Raj Kapoor...

It’s been a few days since Mrs. Krishna Raj Kapoor left for her heavenly abode. I thought this piece could be the right tribute to her since I truly believe that she was the strength behind the greatest cinema made in India by Raj Kapoor Ji which I even conveyed to their youngest son, Rajiv Kapoor at her prayer ceremony.

This piece also gives me an opportunity to bring to the attention of readers the implicit, immense and unadulterated respect that Mr. Salim Khan has for the iconic Mr. Raj Kapoor whom he addressed as Raj Saab. His admiration for the legendary filmmaker was expressed through an audio tribute. Another celebrated filmmaker Manoj Kumar Ji endorsed it as one of the greatest tributes to be made by one artiste for another.  On hearing it, India’s Pride Lata Mangeshkar Ji’s eyes welled up with emotion.   

Krishna Raj Kapoor Ji on hearing it marvelled at how Salim Saab had encompassed her husband Raj Saab’s life in a few minutes. The only answer to that is, devotion.
Devotion is a form of great strength which is what Salim Saab has for Raj Saab whom he considered an elder to the extent that after Prithviraj Ji’s passing away whose feet Salim Saab used to touch, he continued this tradition by touching Raj Saab’s feet as long as he lived. 

In this audio tribute Salim Saab said that Lord Krishna had mentioned in the epic Mahabharat that whenever and wherever there shall be a drought of virtue He shall make his presence felt in whichever sphere of life. Salim Saab firmly believes that on 14th December 1924 Lord Krishna was himself born in the form of Raj Kapoor Saab to take the arts to its pinnacle.

According to Salim Saab, Raj Saab was the “man of the match” of every film that he made and a complete filmmaker who was far superior to any other because of his understanding of each and every aspect of emotion and film-making, especially romance and music.

They shared a special rapport and whenever Salim Saab was a guest at Raj Saab’s get-togethers Raj Saab would always ask him to stay back. After the other guests departed Raj Saab would bond with Salim Saab and share with him experiences of his life which enriched Salim Saab both as a human being and a writer.

One such memorable and enriching moment that Salim Saab experienced happened during the premiere of Deewaar where on the completion of the film Raj Saab called him over. Raj Saab felt that they had made a mistake in the characterisation of Vijay and that even after literally striking gold and amassing money, after going illegal, Vijay should have still been unkempt and attired in his porter’s uniform amidst the high society that he was now a part of. Raj Saab explained to him that whatever Vijay had done was not for himself but for his Mother which is why he shouldn’t have been interested in an appearance overhaul and the presence of a dishevelled man in a neat and clean surrounding would have taken the emotional impact of the character to another level altogether. To date, Salim Saab doffs his hat to this in-depth observation of Raj Saab which underlined the minutest details that only Raj Saab’s cinematic genius could pick up.

And then life gave Salim Saab the opportunity to receive the ultimate compliment he could ever get from the ultimate filmmaker Raj Saab. It took place when the latter watched Salim Saab’s first film as an independent writer, Naam.  How uncanny it is that Naam shared the same grain of Deewaar, which Raj Saab had made an observation on. But this time, Raj Saab felt Naam was a flawless film and went on to tell Director Mahesh Bhatt that.  Without taking anything away from his remarkable directorial talent Raj Saab felt that Naam was a film first directed by a “pen”. 

He turned to Salim Saab and told him that he always believed in his talent and in spite of the rough times that Salim Saab experienced after his separation with his partner, and hearing uncomplimentary theories about Salim Saab’s writing abilities or rather the lack of it, Raj Saab always knew that Salim Saab would rise like a phoenix from the ashes.

Salim Saab has the highest respects for Krishna Ji whom he also credits for being the strength in her husband’s celebrated life and journey as India’s greatest fimmaker whose eternal “Raj” of brilliance shall always shine the brightest.

Jaideep Sen is a filmmaker and a connoisseur of the art of storytelling. 

Previous Episodes in this Series: 


#1 Salaam, Salim Saab   
#2 Silence that Speaks
#3 The Invaluable Value of the Pen
#4 The Guru of Screenwriting

#5 The Forever Burning Flame of Sholay
#6 The Strength of Characterisation
#7 Bond of Brotherhood

 





Labels:

Comments

Post a Comment

Popular posts from this blog

Facing my fear - one Pitch at a time

Pitching makes me freeze up. In fact, the very thought of it makes me wanna run away.  For a screenwriter that's simply bad news. Because no matter what, if you want to get your stories out of your computer and hit the big screens, then you need to get comfortable with selling your story to potential producers and studios. And the first step in that journey is pitching.  My fear of pitching has prodded me to find different ways of overcoming the hurdle. So, for a few years I tried to work with agents in the hope that they would read my book and be able to handle the job of pitching. But soon I realized that agents were not into reading. So, I was just another name in their long list of clients. How that helps them grow their business is a different story, and one that I will perhaps share at a later point when I get around to solving that mystery! But the turning point (life does imitate screenplays!) came when I was called to pitch my book to a prominent OTT channel. This was an o
1 comment
Read more

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class".  Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa
4 comments
Read more

'Pure Evil' has been my biggest and most complex project - Author Balaji Vittal

Love them or hate them, you simply can't ignore them. That cliche is perhaps most apt when it comes to the bad men of Bollywood. In fact, some of the most memorable lines of dialogue have been mouthed not by the heroes but by the villains of Hindi cinema. So it is only fitting that these shining stars of the dark world (after all, antagonists are the protagonists of their own stories!) deserve to be spotlighted. Balaji Vittal , the author of Pure Evil: the Bad Men of Bollywood undertakes this onerous task of highlighting the world of these evil characters and how they have come to occupy a special place in the hearts and minds of movie goers.  I spoke to Mr. Balaji Vittal, a National Award winning and MAMI Award winning author of Bollywood books, a columnist for News18, Outlook India, The New Indian Express , a Bollywood commentator and a public speaker, about his journey of venturing into the world of Pure Evil .   Here are some excerpts:   Your book "Pure Evil: the Bad Men
Post a Comment
Read more