Skip to main content

Goodbye 2017, Hello 2018

Photo by Norwood Themes on Unsplash.com
It's time to say goodbye to yet another year. The end of the year is always a good time for reflection and anticipation.
For me, 2017 will always be a milestone year for two reasons. One of my feature screenplays made it to the semi-finals of the Nicholl Fellowships. Yet another highlight was the making of my short script "7 Lives" into a film. I also had the good fortune to interact and meet with fellow authors and readers at the Noida Lit Fest.

Perhaps the biggest learning for me is this: Every writer's journey is unique. Just like the stories we tell are different, so also are our experiences. While we all  chase "success", it can be interpreted in a myriad ways. Trying to set our own individual goals and go past them is perhaps the whole point of writing. Whether that comes in the form of book sales, write-for-hire projects, or getting your script made into a film, every milestone, every goal counts. So, looking forward to another series of adventures in Writing Land in 2018. 
I hope 2018 will be the best-ever for you too. Have a fun-filled and safe Holiday and don't forget to check out this wonderful short film that my filmmaker friend, Runjiv Kapur, has made on the Joy of Giving. I hope it will inspire you to do your bit when it comes to the "joy of giving". Wish you all a Very Happy New Year!

https://www.youtube.com/watch?v=ga6dIphmXcc&feature=youtu.be



Comments

  1. magazines and daily papers all contract duplicate editors for one justifiable reason. Only one out of every odd writer on the group has great spelling aptitudes.writing apps 2018

    ReplyDelete
  2. This comment has been removed by the author.

    ReplyDelete

Post a Comment

Popular posts from this blog

Facing my fear - one Pitch at a time

Pitching makes me freeze up. In fact, the very thought of it makes me wanna run away.  For a screenwriter that's simply bad news. Because no matter what, if you want to get your stories out of your computer and hit the big screens, then you need to get comfortable with selling your story to potential producers and studios. And the first step in that journey is pitching.  My fear of pitching has prodded me to find different ways of overcoming the hurdle. So, for a few years I tried to work with agents in the hope that they would read my book and be able to handle the job of pitching. But soon I realized that agents were not into reading. So, I was just another name in their long list of clients. How that helps them grow their business is a different story, and one that I will perhaps share at a later point when I get around to solving that mystery! But the turning point (life does imitate screenplays!) came when I was called to pitch my book to a prominent OTT channel. This was...

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class".  Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa...

The biggest Challenge is to Pitch your Story to Producers

I have been writing books and screenplays for a while and it's been a process of learning and re-learning. In this interview with Namrata of Kitaab.org , I share my experiences with regard to writing scripts, pitching and book to screen adaptations.  Team Kitaab: Your career began as a business journalist before you transitioned to fiction writing. How has your background in journalism influenced your approach to writing screenplays and adapting books for the screen? Adite Banerjie: Journalism has shaped my career as a writer – both in non-fiction and fiction. First of all, by working on news stories, specially those with a human interest angle, I got the opportunity to observe first hand various situations and events and how they impact lives. It provided me with invaluable experience of the entire spectrum of issues that shape, impact and change people’s lives. At some subconscious level this stayed with me. So, when I started writing fiction, my journalism experie...