Skip to main content

Story = Conflict

Photo by Tanja Heffner on Unsplash.com


Life imitates art. Or does art imitate life?

Whichever way you may look at it, you can’t get away from the fact that in life and in art, there is conflict. 

While in real life you do your best to avoid conflict, if you did the same in your writing, your story would be dull, drab and downright unreadable or unwatchable. 

Imagine a movie where all characters live happily and there is no conflict.  Or a novel where page after page is a no-conflict-zone?  Boring, right? 

Conflict in your story ENGAGES your reader/viewer. That’s the top reason why you need conflict in your story.  It keeps them watching the movie or turning the pages.  It gives them reason to root for your hero, fear for him and hope that he will be able to bring down the villain or triumph over the obstacles. 

Different types of conflict

Having conflict however does not mean that every scene needs to be a ‘fight’ scene. Conflict can be  about  one person against another.  But it may also be about man/woman vs nature or man/woman vs self. 

While external conflict (man vs man) often is more visual; internal conflict (man vs self) is also needed to help build character arc. 

When you think about your story, make sure you have conflicts of both types—external and internal. If you are writing a superhero story or a Wonder Woman kind of movie, there will be big-bang conflict scenes. Keeping the readers on the edge of their seat. Will she save the world?

A romance will have external conflict as well as internal conflict and that’s where reader engagement will happen. Will they be able to get over their differences and live happily ever after? 

Building conflict into scenes

Design your scenes so that that you can play with the dynamics of “tension”.  Because conflict creates tension. And tension leads to the interplay of hope and fear. 

The best scenes are always those that have an underlying sense of tension. For instance, your scene may be about  a girl leaving her office and taking the bus home. But if you introduce a small bit of external conflict (example: her interaction with a co-passenger who knocks against her) or you have her struggling with a decision—aka internal conflict—(example: should she tell her sister that she lost her favourite pen?) the scene becomes more interesting. 

Layering of conflict

Conflict also plays a critical role in the story’s ‘plot progression’ and the hero’s character arc. For instance if your story revolves around a man hunting down his wife’s killer (like in the movie The Fugitive), you would see him face obstacles at every level.  As his hunt takes him closer to the villain the obstacles that he has to overcome become more and more difficult. That is plot progression. The impact that these events/obstacles have on the hero and how he changes (or not) is his character arc.
And you have your reader/viewer asking: what happens next?

Ultimately then, story is conflict. 

Here’s what Robert McKee, screenwriting guru says:  Story is the fundamental conflict between subjective expectation and cruel reality. Story is about an imbalance and opposing forces (a problem that must be worked out, etc.). A good storyteller describes what it's like to deal with these opposing forces ...calling on the protagonist to dig deeper, work with scarce resources, make difficult decisions...and ultimately discover the truth.

Did you like this post? Share your thoughts below….

Comments

  1. Wow! You explained it so well.
    Conflicts in real life also make us grow I feel, keeps life ingeresting. A good fight with hubby is very good for the lungs with all the shouting and screaming :D :D

    ReplyDelete
  2. LOL, Preethi. Glad you enjoyed it!

    ReplyDelete
  3. Gosh! Your post has me running to my wip to figure out how I can amp up the conflict! Thanks for this

    ReplyDelete
    Replies
    1. Sweet words... thank you! Am waiting to read your next. :)

      Delete

Post a Comment

Popular posts from this blog

Facing my fear - one Pitch at a time

Pitching makes me freeze up. In fact, the very thought of it makes me wanna run away.  For a screenwriter that's simply bad news. Because no matter what, if you want to get your stories out of your computer and hit the big screens, then you need to get comfortable with selling your story to potential producers and studios. And the first step in that journey is pitching.  My fear of pitching has prodded me to find different ways of overcoming the hurdle. So, for a few years I tried to work with agents in the hope that they would read my book and be able to handle the job of pitching. But soon I realized that agents were not into reading. So, I was just another name in their long list of clients. How that helps them grow their business is a different story, and one that I will perhaps share at a later point when I get around to solving that mystery! But the turning point (life does imitate screenplays!) came when I was called to pitch my book to a prominent OTT channel. This was an o

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class".  Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa

'Pure Evil' has been my biggest and most complex project - Author Balaji Vittal

Love them or hate them, you simply can't ignore them. That cliche is perhaps most apt when it comes to the bad men of Bollywood. In fact, some of the most memorable lines of dialogue have been mouthed not by the heroes but by the villains of Hindi cinema. So it is only fitting that these shining stars of the dark world (after all, antagonists are the protagonists of their own stories!) deserve to be spotlighted. Balaji Vittal , the author of Pure Evil: the Bad Men of Bollywood undertakes this onerous task of highlighting the world of these evil characters and how they have come to occupy a special place in the hearts and minds of movie goers.  I spoke to Mr. Balaji Vittal, a National Award winning and MAMI Award winning author of Bollywood books, a columnist for News18, Outlook India, The New Indian Express , a Bollywood commentator and a public speaker, about his journey of venturing into the world of Pure Evil .   Here are some excerpts:   Your book "Pure Evil: the Bad Men