The Story of a Nicholl Semi Finalist

“Writing is a lonely art. You tend to sit on your own in a room without a whole lot of feedback, and frankly, your mother’s feedback, your dad’s feedback is not really what you want because they love and adore you. You actually want to read the tough feedback from professional readers or from the agents or managers that you submit your material to in your great quest to get representation.” – Peter Samuelson, screenwriter.

Contests are a great way to get feedback that every writer needs—to understand what is working in the script and what’s not. I chose to enter my drama screenplay, Coaching Class in the Finish Line Competition in 2016 because they promised to give me feedback for my script. What’s more, based on the evaluation, I could re-submit a revised draft. This enabled me to improve my script taking it to the top of the contest table and winning a first runner-up place.

While a contest win can be a great ego boost, it actually is much more than that. It enhances a writer’s credentials. Being ranked among the winners of credible contest improves your chances of getting a foot in the door and having your work read by people who make films and are on the lookout for great scripts.

The Finish Line competition gave me the confidence to approach a number of top production companies, both in India and in Hollywood as well as agents. Meanwhile, the most prestigious screenwriting contest – the Academy Nicholl Fellowships – which is organised by the same people who run the Oscar Awards came up. And I decided to enter Coaching Class in Nicholl’s. If it ranked well, the chances of it being read by industry professionals across the world would improve manifold. If not, I had nothing to lose!

In July, results season rolled in. And to my great surprise—and delight—Coaching Class had made it to the Quarter Finals. It was one of 361 (out of a total number of 7100 entries) to have made the cut. Excitement kicked in even though I knew the next leg of the contest would be much tougher. By August, I was informed that my script was only one of 151 scripts to advance to the Semi Finals round. I was well and truly stunned and super happy, once it began to sink in.

The feedback from the judges was also sent to me. One judge said, “This drama, set in India, has an interesting, involving story that is full of tension and conflict. Careful attention has been paid to structure and both the main plot and the subplots have strong development.”

Another remarked, “The characters are richly detailed and their goals and dreams feel appropriate and unique to each of their character arcs. Even the ancillary characters…have interesting backstories.”

More importantly, they pointed out what needed work in the story. Unlike Finish Line though, I did not have the chance to submit a revised version. But reaching the Semi Finals of Nicholl’s has boosted my confidence and given me the calling card I need for future interactions with film industry professionals.

Even though the script did not make it to the Finals, I feel immensely proud to be walking in the footsteps of two-time Nicholl Semi Finalist Michael Arndt (among many other prominent screenwriters) who went on to win the Best Screenplay Oscar for Little Miss Sunshine.

Samuelson puts it succinctly: "There is no great victory in writing a script that isn't produced unless it was a stepping stone while you were perfecting your craft in order to be able to write a script that did get made into a film. You just need to do it."

Facing my fear - one Pitch at a time

Pitching makes me freeze up. In fact, the very thought of it makes me wanna run away. For a screenwriter that's simply bad news. Because no matter what, if you want to get your stories out of your computer and hit the big screens, then you need to get comfortable with selling your story to potential producers and studios. And the first step in that journey is pitching. My fear of pitching has prodded me to find different ways of overcoming the hurdle. So, for a few years I tried to work with agents in the hope that they would read my book and be able to handle the job of pitching. But soon I realized that agents were not into reading. So, I was just another name in their long list of clients. How that helps them grow their business is a different story, and one that I will perhaps share at a later point when I get around to solving that mystery! But the turning point (life does imitate screenplays!) came when I was called to pitch my book to a prominent OTT channel. This was an o

Basu Chatterji's "Balcony Class" Films

Basu Chatterji's Rajnigandha was like a breath of fresh air in the 1970s film universe of Bombay. At a time when the Angry Young Man was beginning to dominate celluloid screens, Amol Palekar was as un-hero-like as you could get. He was the Common Man who traveled in buses, did not have hero-like mannerisms and did not breathe fire and brimstone at his opponents. Basu Chatterji's Middle of the Road Cinema burst on to the scene and surprised the movie-going audience with its everyday situations and storylines that had an undercurrent of humour. Chatterji catered to an audience that he liked to call the "Balcony Class". Anirudha Bhattacharjee, author of Basu Chatterji and Middle-of-the-Road Cinema writes an entertaining and heartwarming account of the life and work of Basu Chatterji, one of the most under-rated directors of Indian cinema. Recall of Chatterji's brand of feel-good, slice-of-life movies is perhaps highest for his Rajnigandha, Chotisi Baat, Baaton Baa

'Pure Evil' has been my biggest and most complex project - Author Balaji Vittal

Love them or hate them, you simply can't ignore them. That cliche is perhaps most apt when it comes to the bad men of Bollywood. In fact, some of the most memorable lines of dialogue have been mouthed not by the heroes but by the villains of Hindi cinema. So it is only fitting that these shining stars of the dark world (after all, antagonists are the protagonists of their own stories!) deserve to be spotlighted. Balaji Vittal , the author of Pure Evil: the Bad Men of Bollywood undertakes this onerous task of highlighting the world of these evil characters and how they have come to occupy a special place in the hearts and minds of movie goers. I spoke to Mr. Balaji Vittal, a National Award winning and MAMI Award winning author of Bollywood books, a columnist for News18, Outlook India, The New Indian Express , a Bollywood commentator and a public speaker, about his journey of venturing into the world of Pure Evil . Here are some excerpts: Your book "Pure Evil: the Bad Men

Amrita31 August 2017 at 20:03
Congratulations.You are walking the right path. I am sure thinga will get even better
Ls2 September 2017 at 09:09
Congrats Adite! From 7100 to 151 is a huge confirmation of your writing skills, not to mention morale boosting. I am sure your writing will be made into a film. Wish you all the best!
Richa s Handa3 September 2017 at 19:30
Congratulations. It's a great inspiration for me to read about your experience. That shows that we should just keep trying without undermining our own abilities. Thank you for such a detailed insight. Best wishes to you for your future projects.

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